It is a bold, daring approach to depict Mary for the modern age, and one that succeeds on many levels. From start to finish, the novel paints a raw, convincing portrait of Mary’s true humanity, culminating in the novel’s breathtaking scene of Christ’s crucifixion. His lyrical writing style and emotional prose sheds new light on the most unique mother–son relationship in history. Tóibín captures the most honest expression of Mary seen in fiction. Why has all of this has happened to her, and to her seemingly conventional family? She questions this mysterious, powerful man her once exuberant infant child has now become. She fears the consequences of disturbing the natural occurrence of death-even if it is to resurrect. She despises the “misfits” who sheepishly follow her son. What the reader discovers from these reflections is that Mary, at least at this moment in time, is still just a normal woman, filled with the fundamental emotions we all can relate to. Within each of these miracles, Mary is forced to confront tumultuous realities and ponder their influence on herself and that of the greater community. Similarly, Mary bears witness to other phenomena such as the raising a local man, Lazarus, from the dead. Mary describes how she came to learn of her adult son and his growing following through the events considered “miracles.” In the recalling of a conversation with a cousin from Jerusalem, Mary learns of Christ’s complete healing of a crippled man-an action that both generates fanaticism in the common people and marks him a target for the Roman elites. As these men attempt to elucidate the last days of Christ’s life through interrogation, Mary recounts her side of the world’s most famous narrative. Here she lives quietly and contemplatively, but under the supervision of her two intrusive keepers: men who constantly ask her to recount her son’s final years for the purpose of inscribing them in Gospel form. This powerful novel finds Mary in the ancient Greek town of Ephesus in the years following her son’s death. Prolific Irish writer Colm Tóibín chooses to bypass that divinity and explore the pure humanity of Mary in his own artistic expression, THE TESTAMENT OF MARY. And while all of these reflections uniquely capture Mary’s form, each seems to display the divine side of Mary: The Virgin Mary, the Mother of God. She serves as a fixture in the world of art-depicted in countless paintings and sculptures across historical art periods. She appears, of course, in the formal religious sphere, where she is fervently worshiped and praised. The figure of Mary, mother of Jesus, remains a powerful, resonating influence in today’s culture.

The testament of mary by colm toibin